Garrett Fry is a technically minded creative artist, Digital Matte Painting Lead and Concept Artist in the film industry. Garrett has a passion for finding technical solutions in matte painting and is an innovator in new matte painting techniques.
Visual Effects:
Dark Phoenix (2019) (3DDMP Trainer / Lead: MPC)
Ghost in the Shell (2017) (3DDMP Lead: MPC)
Fantastic Beasts and Where to Find Them (2016) (3DDMP Trainer / Lead: MPC)
X-Men Apocalypse (2015) (3DDMP Trainer / Lead: MPC)
The Great Gatsby (2013) (Digital Matte Painter: Animal Logic)
The Hunger Games (2012) (Digital Matte Painter: Raising Sun Pictures)
Abraham Lincoln: Vampire Hunter (2012) (Digital Matte Painter: Weta Digital)
The Adventures of Tintin (2012) (Digital Matte Painter: Weta Digital)
Rise of the Apes (2011) (Digital Matte Painter: Weta Digital)
X-Men: First Class (2011) (Digital Matte Painter: Weta Digital)
Mars Needs Moms! (2011) (Digital Matte Painter: ImageMovers Digital)
A Christmas Carol (2009) (Digital Matte Painter: ImageMovers Digital)
My Sister’s Keeper (2009) (Digital Matte Painter: Matte World Digital)
X-Men Origins: Wolverine (2009) (Visual Effects: Matte World Digital)
The Curious Case of Benjamin Button (2008) (Matte Painter: Matte World)
Art Department:
Yellow Submarine (Concept Artist: Disney)
Mars Needs Moms! (2011) (Concept Artist: Disney)
Undisclosed Disney Film (2013) (Concept Artist: Disney)
Garrett was instrumental in setting up the matte painting pipeline.
Garrett is a highly motivated artist, who is always exploring new techniques to improve his craft.
Andy Brown VFX Supervisor - Animal Logic
Garrett was a key member of the matte painting department, and was frequently tasked with heading up a group of shots, establishing the "look" by both technical and artistic means. Garrett was very dependable in this role, as he proved repeatedly.
Brian Flora Art Director
Garrett has always displayed a high degree of integrity, responsibility, and talent.
He was completely committed to the quality of his work on every project.